"Review: Ryan Trecartin, 'Site Visit' at KW, Berlin," ArtReview, December

"Review: Christopher Williams’s “For Example: Dix-Huit Leçons Sur La Société Industrielle (Revision 19) at David Zwirner, New York," 11 December

"Review: Bunny Rogers, 'Columbine Library' at Société, Berlin," ArtReview, October

"Review: Pictures, Before and After at Galerie Buchholz, Berlin," frieze, October

"Review: Marc Camille Chaimowicz at Galerie Neu, Berlin," frieze d/e, 26 Sept

"Review: Zofia Kulik's 'Instead of Sculpture--Sequences 1968-1971' at Zak Branicka, Berlin" Art-Agenda, 2 Sept

"Veils are Diaphanous: on the works of Lisa Oppenheim," within Lisa Oppenheim: Works 2003--2013 pub. Sternberg Press, Grazer Kunstverein, Kunstverein in Hamburg, and FRAC Champagne-Ardenne

"Review: Lynn Hershman Leeson at Aanant & Zoo, Berlin," ARTnews, Fall

"Review: Elizabeth Peyton at neugerriemschneider, Berlin," ARTnews, Fall

"Future Greats: Guan Xiao," Art Review Asia, Autumn

“Off-space No. 24: The Suburban, Chicago,” Art Review, September

Portrait: Dorothy Iannone,” Flash Art International, Summer

Main Theme: Curating the Internet,” Kaleidoscope, Summer

Review: Liu Ding at Galerie Urs Meile,” Frieze issue 164, Summer

Laurie Simmons: Future Traps,” poster text pub. Wilkinson Gallery, May

Review: The Un-Officials | Art Before 85 at Boers-Li, Beijing,” Art-Agenda, 25 April

Hyper-Elasticity Symptoms, Signs Treatment: On Hito Steyerl's Liquidity Inc.” within Too Much World: The Films of Hito Steyerl ed. Nick Aikens; Sternberg Press, Van Abbemuseum and Institute of Modern Art

Portrait: KwieKulik,” Spike Art Quarterly No. 38, Winter

In Focus: Tyler Coburn,” Frieze issue 161, March

Moving Up: Pilvi Takala,” LEAP 24, January-February

"HEAD / WATER," a poem commissioned by Mary Rinebold and Sarina Basta on the occasion of Staging Interruptions (Stream of Lifeat Southard Reid, London